I saw the Ben Stiller “remake” of “The Secret Life of Walter Mitty.” I rarely watch movies, and I do not like many of those that I do see. Had the main character not been named Walter Mitty, no one would have suggested that it in any way resembles or rips off the Danny Kaye version or the original Thurber story. The movie starts out slowly, but it picks up about half way through.
What interested me was that a main theme was the evil of the “destruction” part of “creative destruction.” The background for the plot of the movie is that Life Magazine, where Mitty works, is about to disappear as a print publication. A cardboard-character villain comes to supervise the inevitable staff cuts. It strikes me that this depiction of obsolete businesses as the innocent victims of evil corporate villains has appeared in a number of movies in recent years (and again, I have only a small sample). Some possible reasons for this:
1. This is the zeitgeist. Many people are have lost jobs or are afraid of losing jobs, and this theme draw them in.
2. Showing the benefits from creative destruction is not as compelling. As an acquaintance of mine once said, in fiction, having a hero is optional. But you must have a compelling villain.
3. Hollywood has always been anti-business.
Meanwhile, Paul H. Rubin writes,
If we think in competitive terms, we say, “Wal-Mart has outcompeted small firms and driven them out of business.” If we take a cooperative view of the same event, we say, “Wal-Mart has done a better job of cooperating with customers by selling them things on better terms, and the small firms were not able to cooperate as well.” Same facts, but a very different emotional reaction.
Pointer from Mark Thoma. Somehow, I do not think that this is the magic cure for reducing the cultural bias against markets.