A podcast really works when it is the dramatic unfolding of a story and mood between the guest and host.
Julia Galef did a podcast with me which has not (yet) been released. My guess is that by Tyler’s standards it worked, since Julia really brought out my state of depression and contrasted with it. To exaggerate, it was Mary Poppins meets “Have a nice day.”
When I judge a podcast, I use more mundane criteria.
Did anyone say anything that I did not expect? Robert Wright does this. I forget which podcast, but out of nowhere he questioned the right of government to interfere with international trade using rhetoric that could have come straight from Don Boudreaux.
Did the host ask the Devil’s Advocate questions that needed to be asked? Russ Roberts usually succeeds. Robert Wright again. I have observed Ezra Klein failing to do this, and I found the results painful.
Did they avoid the use of profanity? I know that cursing can be a way to sound “cool,” but not to me–I have outgrown my adolescence.
I think it’s actually difficult to spell out what makes for a good podcast. Tyler is right that the interpersonal dynamics have a lot to do with it. I find it hard to articulate what works and what does not.
An interesting question is whether reading a transcript ends up being more efficient/rewarding than listening to the podcast. I am inclined to say yes. But are there counter-examples in which hearing the voice is more compelling? Jordan Peterson perhaps?